Reviews: The Common Place
The Common Place – CD, various artists
– www.thecommonplace.org.uk 2008
The Common Place – CD, various artists
– www.thecommonplace.org.uk 2008
I really like this album; the music has a modern big band sound with heart and the lyrics say something (although what is not necessarily always apparent to this reviewer). Beside the classic big band swing, there are samples, a strong hint of the classical musicals as well as more modern takes on these – there are similarities with Barry Adamson (a favourite in this house) as well as some of Björk’s work.
Having listened a few times without reading the sleeve or the bumf, it is good that the medium used for the message holds its own. If you’re writing a political essay, it helps if the writing is good; if you’re presenting politics via music it really helps if the music is good – and this CD manages that with spades.
A recent proposal by the student body at London University to campaign against the BNP was unceremoniously rejected by the Tory Party’s youth wing unless, they stated, the BNP was identified as a left wing party. It would seem on this occasion leftwing fascism is exclusively the enemy for these young Tories. But there is nothing new about this muddled thinking or its intended implications. To this vein, we can safely say Liberal Fascism belongs. It is an essential crash course in historical revisionism for the American free market right.
Luigi Fabbri described the rise of Italian fascism as a “preventive counter-revolution” to the 1920s worker occupations in Italy. For Goldberg, fascism is defined as:
Twenty five years on from the epic 1984-5 miners’ strike, David Bell’s The Dirty Thirty pays homage to the 30 or so Leicestershire miners who went on strike from a coalfield where the remaining 2,000 failed to do so.
The cover notes of Flat Earth News offer a fairly concise synopsis of the contents:
An award winning reporter exposes falsehood, distortion and propaganda in the global media.
For anyone yet to be convinced that the “popular” media is anything other than unbiased, impartial, and representative of the truth, this is the book for you. Lifting the lid on the murky world of contemporary journalism, insider, Nick Davies, reveals an industry dominated by PR, lobbying, mistruths and powerful interests.
On January 20th a general strike was declared on the Caribbean island of Guadeloupe over rising living costs, ending in early March and achieving an agreed $250 wage rise for all workers. Forty seven trade unions, associations and political parties under the umbrella organisation LKP (Committee against Extreme Exploita-tion – Lyiannaj Kont Pwofitasyion in Guadelou-pean Creole French) brought all economic activity to a standstill.
Although Guadeloupe is officially part of the French Republic, the traditional labour organisations in metropolitan France isolated and ignored the struggle and media coverage was rare and superficial.
Following the current fashion, José Velas-co, boss at magazine publisher, Onis Comunica-ción, is using the economic crisis as an excuse to rob workers. The company is chaotically managed, so much so that suspension of wage payments is a specialism for Velasco and his associates. Indeed Onis was set up to take over titles from another of their publishing ventures which had hit similar problems, with similar attempts to cheat workers out of their pay.
Velasco and co. are hoping the state will save them money, by paying Onis workers (part of) what they’re owed from the Salary Guarantee Fund. They’ve certainly shown no desire to negotiate a solution.
On February 3rd the workers at the San Andres dough maker, Disco de Oro, occupied their workplace. The bosses had brought the factory to bankruptcy by using it to back up various financial and commercial machinations. In addition to these debts and the factory’s utility debts, workers had gone without pay as well as social and medical insurance contributions for five months. To prevent the owners selling off machinery, the workers decided to occupy the plant to save it.
Disco de Oro has restarted production and now operates on an anti-authoritarian basis, without bureaucrats and bosses, as a workers’ cooperative. All decisions are taken in a general assembly of workers.